Past Paper

NSS MATHEMATICS IN ACTION HONG KONG DIPLOMA OF SECONDARY EDUCATION EXAMINATION MOCK PAPER MATHEMATICS Compulsory Part Paper 2 Time allowed: 1 hour 15 minutes 1. Read carefully the instructions on the Answer Sheet and insert the information required in the spaces provided. 2. There are 45 questions in this book. All questions carry equal marks. 3. Answer ALL Questions. You are advised to use an HB pencil to mark all the answers on the Answer Sheet. Wrong marks must be completely erased with a clean rubber. 4. You should mark only ONE answer for each question. If you mark more than one answer, you will receive NO MARKS for that question. . No marks will be deducted for wrong answers.  © Pearson Education Asia Limited NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 There are 30 questions in Section A and 15 questions in Section B. The diagrams in this paper are not necessarily drawn to scale. Choose the best answer for each question. Section A 1. If n is an integer, then 33 n = 9 n ? 1 6. Which of the following statements about the equation 3( x ? 2) 2 ? 6 x ? 2 is true? A. It has distinct, rational real roots. B. It has distinct, irrational real roots. C. It has equal real roots. D. It has no real roots. 7. It is known that a polynomial g(x) is ivisible by 2x + 3. Which of the following must be a factor of g(4x – 3)? 2 n ? 1 A. B. C. D. 2. x 2 ? y 2 ? 2 xy ? 4 ? A. B. C. D. 3. A. B. C. D. 8. 1. 5. 8049. 8053. a = 3, b = ? 2 . a = 3, b = ? 3 . a = ? 2, b = ? 2 . a = ? 2, b = ? 3 . B. C. D. 9. Let p be a constant. Solve the equation ( x ? p )( x ? p ? 1) ? x ? p . A. B. C. D.  © Pearson Education Asia Limited NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 –2– 1. 1 . 6 –1. –2. ? Peter sold a vase to Mary at a profit of 15 %. Later, Mary sold the vase to David for $ 6400 and gained $ 420. What was the cost price of the vase for Peter? A. B. C. D. x ? ?p x ? p ? 1 ? ? p or x ? p ? 1 x ? ? p or x ? p 2x ? 3 4x ? 3 8x ? 3 8x ? 9 If x is an integer satisfying 4x ? 1 , then the 2(1 ? x) ? 6 x and x ? ?2 greatest value of x is A. If 5a ? 2b ? a ? 4b ? 11 , then A. B. C. D. 5. ( x ? y ? 2)( x ? y ? 2) ( x ? y ? 2)( x ? y ? 2) ( x ? y ? 2)( x ? y ? 2) ( x ? y ? 2)( x ? y ? 2) If f ( x) ? x 2012 ? 2012 x ? 2012 , then 2 f (? 1) ? 3 = A. B. C. D. 4. ?1? . ?3? 3n ? 1 . 3n ? 2 . 35 n ? 2 . $ 5200 $ 5970 $ 6877 $ 7780 10. The scale of a map is 1: 250. If the area of a playground on the map is 20 cm2, what is the actual area of the playground? A. B. C. D. 11. 5000 cm2 125 m2 625 m2 5000 m2 A.B. C. D. Let an be the nth term of a sequence. If a1 ? ?2 , a2 ? 1 and a n ? 2 ? 4a n ? 1 ? a n for any positive integer n, then a5 = A. B. C. D. 14. The circumference of a circle is measured to be 10 cm, correct to the nearest 0. 5 cm. Which of the following is a possible area of the circle? 15. 86. 66. 46. 26. In the figure, CDE and BDF are straight lines. If DF = DE and AB // CE, find ?ABD. 12. It is given that s varies jointly as t2 and u. If t is increased by 15% and u is decreased by 20%, then s A. B. C. D. is decreased by 8 %. is decreased by 5. 8 %. is increased by 5. 8 %. is increased by 8 %. 13. If z ? y and y 2 ? 4. 2 cm2 8. 55 cm2 8. 14 cm2 7. 11 cm2 A. B. C. D. 76? 104? 116? 128? 16. In the figure, a = 1 , which of the x following is true? III. z2 ? y2 1 x? y 2 3xz is a non-zero constant. A. B. C. D. I and II only I and III only II and III only I, II and III I. II.  © Pearson Education Asia Limited NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 A. B. C. D. –3– 40?. 45?. 50?. 55?. 17. In the figure, ABCD is a rhombus and FBC is a triangle. If FA = 2 cm and BC = 3 cm, find ED. 19. In the figure, a circular cone is cut into two parts A and B by a plane parallel to the base. 4 that of the 9 original cone, find the ratio of the olumes of A and B. If the base area of A is A. B. C. D. A. B. C. D. 1 cm 1. 2 cm 1. 5 cm 1. 8 cm 18. The figure shows a right pyramid with a square base and a slant edge of length 17 cm. If the total length of the edges of the pyramid is 132 cm, find the total surface area of the pyramid. 2:3 8 : 19 8 : 27 19 : 27 20. Through which of the following transformations, would figure A be transformed to figure B? I. Translation II. Rotation III. Reflection A. B. C. D. A. B. C. D. 544 cm2 608 cm2 736 cm2 800 cm2 II III I and III only II and III only 21. If the point P(7, –1) is rotated clockwise about the origin through 90? o Q, what is the distance between P and Q? A. B. C. D.  © Pearson Education Asia Limited NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 –4– 5 units 72 units 10 units 128 units 22. If a > 0, b > 0 and c < 0, which of the following may represent the graph of the straight line ax ? by ? c ? 0 ? 23. In the figure, 2BC = 5AC. Find sin ? . A. 2 29 A. B. C. B. D. 24. 29 2 cos(180? ? ? ) 1 ? ? sin(180? ? ? ) tan(90? ? ? ) A. B. C. D. C. 2 5 5 2 tan 2 ? tan ? 1 †“1 25. In the figure, O is the centre of the circle ABCD. Find x. D. A. B. C. D. 36? 40? 42? 45? 26. What is the area of the circle x2 + y2 + 12x ? y + 9 = 0? A. B. C. D.  © Pearson Education Asia Limited NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 –5– 9? 43? 52? 61? 27. Two fair dice are thrown once. What is the probability of getting a sum of 4 or 6? A. B. C. D. 1 6 2 9 5 9 5 36 30. The pie chart below shows the distribution of the nationalities of 60 students randomly selected from an international school. It is given that 9 of them are American. 28. The box-and-whisker diagram below shows the distribution of the heights (in cm) of 40 students in a class. Find the number of students whose heights are between 145 cm and 150 cm. A. B. C. D. 5 10 20 30If there are 840 students in the international school, estimate the number of Australian students in the school. A. 196 B. 208 C. 216 D. 224 Section B 31. 29. {a , a, a + d, a + 3d and a + 6d} is a grou p of numbers. Which of the following must be true? A. B. I. The mean of the group of numbers is a + 2d. II. The median of the group of numbers is a + d. III. The mode of the group of numbers is 2. A. B. C. D. C. D. I and II only I and III only II and III only I, II and III  © Pearson Education Asia Limited NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 1? –6– ab b ? ? 2 a ? b b? a 2 1 a2 a2 ? b2 b2 a2 ? b2 a 2 ? 2ab ? b 2 a2 ? b2 32. Which of the following best represent the graph of y ? 2 log 3 x ? x 2 x ? 1 34. Solve 16 ? 2 ? A. A. B. C. D. B. 15 ? 0. 2 5 2 5 or –3 2 5 log 8 log 5 ? log 2 log 4 35. If a and k are real numbers and a ? 11i ? (2 ? 3i )(3 ? ki) , then A. B. C. D. C. D. NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 ? ? 1 . ? 1. ? ? 1 . ? 1. 36. Find the maximum value of P = 1 – x – 4y subject to the following constraints. 1 ? x ? 3 2 ? y ? 4 ? ? ?2 y ? x ? 2 ? x ? 2 ? ?2 y ? 33. If ? and ? are the roots of the quadratic equation 4 x 2 ? 5 x ? 3 ? 0 , find the value 1 1 + . of 2? 2? 3 A. ? 5 2 B. ? 5 5 C. 8 5D. 6  © Pearson Education Asia Limited a ? 3, k a ? 3, k a ? 9, k a ? 9, k A. B. C. D. –7– 3 4 6 7 37. It is given that three positive numbers x, y and z are in geometric sequence. Which of the following must be true? I. x3, y3, z3 are in geometric sequence. II. 3x, 3y, 3z are in geometric sequence. III. log x2, log y2, log z2 are in arithmetic sequence. A. B. C. D. 40. The figure shows a circle with centre O. BC and BA are the tangents to the circle at C and D respectively. If ? BAC = 42? , find ? BOC. I and II only I and III only II and III only I, II and III 38. Find x in the figure, correct to the nearest integer. A. B.C. D. 66? 72? 84? 90? 41. The figure shows a triangular prism ABCDEF, where both ? ABF and ?DCE are right-angled isosceles A. B. C. D. 12 13 14 15 triangles. If AB = 10 and BC = 5, find the angle between the line AE and the plane ABCD, correct to the nearest degree. 39. Solve 1 + sin? cos ? = 3sin2? for 0? ? ? ? 360?. A. B. C. D. ? = 45? or 225? ? = 135? , 207? or 225? ? = 45? , 153? , 225? or 333? ? = 135? , 153? , 315? or 333?  © Pearson Education Asia Limited NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 A. B. C. D. –8– 14? 17? 22? 45? 42. The figure shows a circle which is symmetrical about the y-axis. A(4, –1) nd B are two end points of a diameter of the circle. If the equation of the tangent to the circle at B is 4 x ? 3 y ? 31 ? 0 , find the coordinates of the centre of the circle. A. B. C. D. 3 (0, ) 2 (0, 2) 5 (0, ) 2 1 ( ? , 2) 2 44. A box contains 50 bulbs and 8 of them are defective. Two bulbs are drawn at random from the box without replacement. Given that at least one bulb drawn is defective, find the probability that exactly one bulb drawn is defective. 4 A. 13 3 B. 5 4 C. 5 12 D. 13 45. In a Chinese test, the standard scores of the marks obtained by John and Mary are †“1. 05 and 0. 8 respectively. Which of the following are true? I.II. III. 43. There are 2 different English books and 4 different Chinese books on a table. If all the books are put onto a shelf and the two books at the two ends must be of different languages, in how many ways can the books be arranged? A. B. C. D. A. B. C. D. 32 40 192 384  © Pearson Education Asia Limited NSS MIA 2012 Mock Paper (Compulsory Part) – Paper 2 Mary performs better than John in the test. Compared with John, the mark obtained by Mary is closer to the mean mark of the test. The mark obtained by John is below the 16th percentile of the marks in the test. I and II only I and III only II and III only I, II and III End of test –9–

Major causes of unemployment Essay

â€Å"Outline the major causes of unemployment and social consequences of unemployment for the Australian economy†. There are a number of causes of unemployment, which ultimately result in both positive and negative consequences for Australias economy. These causes are outlined as follows. Economic growth is possibly the most influential factor causing unemployment. The demand for labour is a derived demand, meaning that it is determined by the level of demand for goods and services in an economy. This means that if an economy is experiencing low levels of economic growth, aggregate demand will fall, thus decreasing the demand for labour, which will result in an increase in unemployment. resulted in a strong decline in unemployment (stimulus). Australias unemployment rate is currently at 5.1%, its lowest since the 1970s (stimulus). Unemployment may also be caused by technological change This can have a negative effect on unemployment as a company may replace labour with capital in order to become more efficient. Jobs are lost as technology is now used instead, or people dont have the skills required for the new production methods therefore increasing unemployment. However, the labour force may undergo further education and training to acquire the new skills needed, thus reducing unemployment. Labour productivity is a significant factor affecting the level of unemployment. Low level of productivity tends to encourage employers to use capital in reference to labour in production therefor increasing unemployment. The cost of labour also impacts upon the unemployment rate. If the cost of labour is high, employers will replace labour with capital therefor increasing unemployment, but if it is relatively low, employers will rather choose to employ more workers, thus increasing unemployment. One of the reasons for a rapid increase in labour costs may be the inflexibility of the labour market due to regulations for e.g. 2006 IR laws resulting in higher minimum wages than would occur if wages were set through the interaction between the demand and supply of labour. In addition, the process of structural change in the economy often involves significant short term costs, unemployment. Job losses are greater in less efficient industries and in areas undergoing major reforms, such as public utilities that are being privatised. For e.g. large tariff cuts have contributed to the loss of jobs in the manufacturing sector. Structural change also includes reductions in protection. If local producers can no longer compete internationally there will be a rise in unemployment, however this will be beneficial to the labour market in the long term as efficient industries emerge. The unemployment rate may also occur as a result of government macroeconomic policy. The governments macroeconomic policy can influence the level of unemployment in the short to medium term, through their influence in the business cycle. With the implementation of contractionary macroeconomic policy, with budget deficits and tighter monetary policy this results in higher interest rates and less government spending leads to a slowdown in economic growth and investment causing unemployment to increase. Another reason for declining unemployment is changing participation rates and school retention rates. During an economic upswing the participation rate (labour force / working age population x 100) is known to rise as discouraged job seekers re-enter the labour force and begin to actively look for work again. This means economic growth needs to be high enough to absorb both the unemployed and those returning to the labour force for unemployment to decline. As more students are completing high school and entering tertiary education, young people are entering the work force later. This means that the size of the labour force is reduced, which improves the rate of unemployment. Furthermore, once students finish their studies and enter the labour force they have greater knowledge and skills, improving their  employment prospects. A consistently high level of unemployment has negative social effects on society, individuals and the economy. Unemployment within an economy has dire consequences on society. Increased inequality is the most severe cost within society. Unemployment tends to affect lower income earners such as the young, unskilled, indigenous Australians, regional Australia and those migrants who were born overseas. Because unemployment means a loss of income for these social class they become relatively worse off compared to higher income earners as they struggle to cater for their day to day needs, therefore contributing to poverty and overall inequality in income distribution. Unemployment is associated with many of the most serious and personal social problems in Australia. Among families and individuals, especially those who suffer from long-term unemployment, there is an increased incidence of social problems; including homelessness/housing problemssever financial hardshipfamily tensionserosion of confidence and self esteemincreased levels of debtloss of work skills making it all the more difficult to re-enter the workforceincreased social isolationpoor health, psychological disorders and suicideThese social problems have an economic cost for the community as a whole, since more resources must be directed towards dealing with them. Money to be spent on resurrecting peoples lives takes away funds from satisfying community wants. All in all, unemployment is one economic issue which has to be looked at very closely, as the consequences listed above are just some of the realities brought about by unemployment. â€Å"Discuss Australias recent unemployment performance.†Even though Australia has low unemployment rate in comparison to other OECD countries, unemployment has been a significant economic policy challenge in Australia for the past three decades. Australia began experiencing low unemployment rates during the 1960s and early 1970s, however an increase in unemployment figures gradually occurred during the mid 1970s. For the last 25 years to 2006 Australias unemployment rate has averaged 8%. However the current unemployment rate fell to its lowest in 30 years, to approximately 4.7% in 2006-2007, proving it has entered a new era of sustained unemployment due to sustained economic growth. During the 1990s the unemployment rate peaked at 10.7%, the highest level since the great depression due to the severe recession in Australia and the global economy. Falling AD resulted in the closure of many firms and cutbacks in production, which led to cutbacks in labour therefore increasing unemployment. Australias slow progress on unemployment during this period was also due to the strength of labour productivity growth which meant businesses were able to increase their output without hiring new staff. Through the extensive structural change and micro economic reform unemployment during this period worsened. As new technologies emerged and production techniques changed people who lost their job found it more difficult to obtain new jobs in emerging industries. Since the 1990s recession, Australias unemployment levels have been falling gradually due to its consistent economic growth levels over the past 15 years bringing unemployment to its minimum level of approximately 4.8%. Australia needs economic growth rates of at least 3.75% in order to make progress in reducing unemployment. This only occurs as unemployment can only be reduced if AD (economic growth) exceeds the total of productivity growth plus growth in the labour force. This relationship is mainly referred to as Okuns Law. Since the beginning of this decade, productivity growth has been much slower, which has meant the unemployment rate has continued to fall even though economic growth has only averaged around 3%. Over the last 5 years, Australias unemployment rate has remained below the OECD average but many countries still have lower unemployment levels including Ireland New Zealand  and Japan. â€Å"Assess the policy options available to the government to achieve a sustained reduction in the level of unemployment†The labour markets ability to sustain low unemployment is a result of improved Macroeconomic Policy frameworks and extensive Microeconomic Reform over a long period of time. Macroeconomic Policy allows the government to alter aggregate demand in the economy through the use of Monetary and Fiscal Policy. As 8 out of the last 9 budgets have achieved a Fiscal Balance, our 2004-05 Budget has a relatively small surplus with payments being sent, totalling to 1% of GDP, at the end of the financial year and the cash rate has been below 5.5% for 39 months the Howard government have held Macroeconomic Policy in expansionary ground for a substantial period of time. This has resulted in 13 years of strong sustainable economic growth and, thus, elimination of cyclical unemployment. Monetary Policy assists by smoothing out the business cycle and reducing fluctuations in aggregate demand. The RBA has chosen to maintain low interest rates because of the effects higher interest rates would have on unemployment, among other factors. Over the past three years Australia experienced a Real Estate boom. This has resulted in a major growth in debt and construction in Australia. An increase in interest rates for many of the heavily indebted would dramatically reduce their disposable incomes, hence reducing aggregate demand and causing unemployment. Also within the last 12 months 9 out of every 10 jobs created was in construction, meaning massive job loss should interest rates rise. Furthermore this will affect many other industries such as retail and whitegoods, which have benefited from this increased demand. Fiscal Policy enables the government to inject revenue into regions or specific groups within the economy. The Budget 2004-05 aims to address demands by increasing participation and productivity through a number of initiatives. One of the major incentives that will impact upon unemployment is the reduction of the Welfare Trap. This addresses mainly low and  middle-income families that remain unemployed, as they are financially better off just receiving welfare. The package will increase the incentives to take on additional work, seek advancement, acquire skills and ultimately increase the labour force participation rate. Microeconomic Policies are policies aimed at individual industries that are seeking to improve efficiency and productivity of the producers. These have allowed governments to deregulate the Labour Market as previously the over-regulated and inflexible labour market and wage determination process was viewed as damaging to the Labour Market. The introduction of the WORKPLACE RELATIONS ACT 1996 aims to decentralise the Workplace Relations System by discouraging the use of third parties, such as the AIRC. Instead the Australian Government are encourging encouraging employers and employees to reach outcomes based on the circumstances of their particular enterprise or organisation. Formal collective agreements can be made directly between employers and employees, known as Australian Workplace Agreements. Although these agreements must meet a global no-disadvantage test, to ensure the agreement isnt unlawful or less favourable, the agreement is largely between the employer and employee. Workplace agreements have contributed to improved productivity, higher real wages and greater access to family-friendly provisions. Previously rigid award regulations have been simplified. A safety net is ensured, providing minimum standards to protect employees (especially the low-paid). The actual terms and conditions are, however, determined by an agreement at the workplace. The WORKPLACE RELATIONS ACT also makes compulsory union membership illegal, allowing employees greater fredom of choice. This has also contributed to the declining power of the unions. The WORKPLACE RELATIONS ACT now protects businesses from unlawful industrial action. This has lead to reducing strikes to the lowest levels in Australias history. Unfair dismissal laws have been replaced with a new fair go all  round law, as it was found this law had contributed to the loss of at least 77,000 jobs in small businesses. Through the introduction of the Job Network inefficiencies of job training and placement were reduced. With more efficient Labour market Services the unemployed were able find desired positions faster, hence reducing Frictional unemployment. The Work-for-the-Dole Scheme is part of the Howard Governments mutual obligation principle. This requires 18 to 24 year olds that have been on benefits for more than six months to participate in and activity in addition to job search. This has assisted over 200,000 unemployed to rebuild self-confidence, and develop work ethic and skills Although this does encourage regeneration of work habits the Work-for-the-Dole Scheme conveys very few technical or vocational skills. The New Apprenticeship Scheme has also benefited by organising apprenticeships for 70% of school leavers that dont go to university. The Government also provides businesss that employ those previously unemployed with wage and training subsidies to provide incentive for employers taking a risk on the unemployed. Bibliography -Australian Department of Foreign Affairs & Trade (http://www.dfat.gov.au/geo/australia/index.html – Australian Facts). http://www.oecd.org/country/0,3021,en_33873108_33873229_1_1_1_1_1,00.htmlhttp://www.oecd.org/document/28/0,2340,en_2649_34569_37147228_1_1_1_1,00.htmlBooks-† TIm Dixon† Australian Economics 2007

Write a critical review of Plutarch Life of Crassus Essay

Write a critical review of Plutarch Life of Crassus - Essay Example s necessary to take into account inappropriate behavior of the great ancient leaders and it would be better to focus on their strengths and not on their vices. There is no need to focus on the biography of Crassus if not to consider moral and ethical implications provided by Plutarch in this biography. There is a lot of incongruence and the biography of Crassus is rather imbalanced. The way Plutarch describes Crassus head, which is served to the Parthian king is a way of ambitious depiction of the negative side of glory. There are two main drawbacks, which Crassus has: the first one is his ambition and the second one is avarice. Plutarch is a magnificent bibliographer. The lives of ancient Greeks are highly informative and the personalities, who were described by Plutarch, are extraordinary and leading people of the ancient times. The main feature of bibliographical discussions by Plutarch is the reflection of his personal opinion. The Life of Crassus is evidently considered from a negative perspective. On the example of Crassus Plutarch intends to teach a moral lesson to his readers. The main negative feature of Crassus was his avarice. Moreover, this vice was dominant over all other vices, because the other vices could be crossed by the vice of avarice (Plutarch, The Life of Crassus). This claim was positioned by Plutarch in the beginning of biography of Crassus. Therefore, the readers consider Crassus from a negative perspective. Other virtues of Crassus are opposed to the main vice of the main character. Plutarch underlines the main vice of Crassus in an intensive manner (Zadorojniy, 1997). Otherwise, the readers would not be so much concerned about avarice as the main vice of Crassus. In such a way, Plutarch positions greed as the main destructive feature of Crassus. Still, Crassus is positioned as a kind man and we cannot claim that this character is bad to the bones. He often helped people in time and thus people relied on him greatly. Moreover,

Poetry analysis Essay Example | Topics and Well Written Essays - 1000 words

Poetry analysis - Essay Example ot return his affections, the early death of his mother and the death of a second person close to him leading to the development of â€Å"A Shropshire Lad†, â€Å"a collection of sixty-three poems addressing the themes of unrequited love, the oblivion of death, and idealized military life† that carefully navigated around any issues of homosexuality. In addition, he is surprisingly consistent in his writing, showing nearly identical themes, forms and language usage in â€Å"Last Poems† as were used in â€Å"A Shropshire Lad.† However, his â€Å"open investigations of the mysteries of death and the dual nature of humankind have earned him acknowledgment as a precursor to the development of modern poetry† (â€Å"A.E. Housman†, 2006). These attitudes about death can be most understood as they are expressed in the poems â€Å"To An Athlete Dying Young,† â€Å"When I Was One and Twenty,† â€Å"With Rue My Heart is Laden† and â €Å"Is My Team Ploughing?† In â€Å"To An Athlete Dying Young†, Housman demonstrates a sensitive honor for the man who dies in his prime, invoking a powerful sense of regretful comprehension regarding the wisdom of dying young. He begins the poem with a nostalgic look back at the happy crowd carrying the star athlete around on a chair, everyone celebrating and having a good time. This nostalgia is established by the wistful â€Å"The time you won† (1) that immediately invokes a fog of memory around the edges of the scene described. The hero’s way is carefully invoked in the lines â€Å"Man and boy stood cheering by, / And home we brought you shoulder-high† (3-4) to be carefully juxtaposed against the same phrase in the second stanza: â€Å"Shoulder-high we bring you home, / And set you at your threshold down† (6-7). With only this slight change in language, Housman makes it clear that this is no longer a cheering crowd, they are not celebrating and, by distinguishing his fri end as â€Å"Townsman of a stiller town† (8), he makes it obvious that this is a

Litigation, Civil Procedure, Discovery of Documents Essay

Litigation, Civil Procedure, Discovery of Documents - Essay Example The client company, over the last decade, has obtained reports and studies which confirm that there is a link between the toxic fumes and the increasing rate of asthma in the local residence. The problem concerns to devise a strategy so these reports and documents may not be not available to the plaintiff. STRATEGY: As evident from the above problem, the main concern of the company is that these reports and documents should not be available to the plaintiff for proving the allegation against the company. This can be done by adopting the strategy of ‘Retention of the Documents’ and by the privilege. The case of Rolah Ann McCabe v British American Tobacco Australia can serve as a guideline to adopt these strategies as the said case demonstrated successfully that through these strategies documents harmful to the company mighty be retained (destroyed) or declared privileged so the plaintiff or the court may not require these documents to exhibit for inspection, to avoid any legal ruling. These policies are discussed below separately to view their implications and results. Let us begin with examining the case of McCabe v. BATAS in brief and the strategies adopted. Rolah Ann McCabe v British American Tobacco Australia: The fifty-one year old plaintiff had lung cancer which she alleged had been caused by smoking the defendant’s cigarettes over approximately four decades. She sued the defendant for damages arising from the defendant’s negligence related to the marketing and sale of their cigarettes. The trial judge ordered that the defence of the defendant tobacco company be struck out and that judgment be entered for the plaintiff. He criticized the defendant for its failure to comply with discovery orders that had been made during the proceeding. BAT was unable to comply with this court order to produce documents because it had over a period of years prior to Mrs. McCabes’s action destroyed large quantities of documents.

Women in the Workplace and the US Economy Essay

Women in the Workplace and the US Economy - Essay Example The number of female CEOs, leaders and entrepreneurs has increased several times1. It does not mean that women have become more man-like or that their abilities have improved. The cause of this change is that women have been finally noticed by man-ruled world. According to statistics, women's share in administrative and managerial positions (year 2000) was approximately 30 percent. Moreover, United States has the highest share of women in decision making related to national economy. The gap between men and women work participation fell from 50 percent in 1950 to only 15 percent in 1998. As it was noted at the International Women's Policy Research Conference, "without dramatic infusion of women into the workforce, the economic expansion of the last 50 years would not have been possible; the economy would have been plagued by a shortage of workers.2" In addition, the labor costs would have add to the inflation - the fewer workers would lead to the decreased family incomes and federal revenues. Further, the production level would drop and lead to the economic deficit. Women participation in workforce has the same positive impact on the American economy today as it had in 1950s. In few years the baby boomers will start to retire, working wome n will become the foundation of economic expansion. Even if the workforce will grow at 1 percent per year, the ... Nevertheless, these dramatic projections can be avoided, as economists note, if women participation in workforce is encouraged and supported. Looking back on the historical role of women, they have increased the workforce by 30 percent after the WW II and have laid the foundation for the sustained employment gains during that time3. In addition to the general contribution of working women to American economy, there are also numerous advantages women bring to the success of national companies. Today more and more companies are recruiting and promoting women into senior positions. Women succeed not only in positions and industries historically considered appropriate for them, but in the areas which were always male dominated - manufacturing, engineers and especially financial services. Half of the Fortune 500 companies have women on their corporate board of directors4. There are several reasons why women are being sought for leading positions. First, they represent the previously unnoticed pool of talents. Second, they bring the new dimension to the management of group. Third, women bring alternative perspectives to the table. As the result, the increased number of women in the workplace creates the competitive advantage because 80 percent of all consumers spending in American is done by women. Thus female leader s understand better the needs of customers. Increased spending is good not only for the company's revenues, but for the whole economy as well. In addition to being successful leaders of corporations, women have proved to be highly skilled in operating small firms. The majority women-owned firms are growing at the rate twice the American average. These firms contribute $1.1 trillion in revenues to

Difference between Macro Finance and Micro Finanace Coursework

Difference between Macro Finance and Micro Finanace - Coursework Example However in nursing perspective, microfinance is the financial aid or assistance given to individuals towards their medical cover while macro-finance is the financial aid given to the whole group towards their medical cover. Microfinance concept is, therefore, an individual financial program while macro-finance concept is a group financial program. Microfinance can be tailored to meet the needs of a specific individual (Paterson & Telyukov, 2014).   A practical application of macro-finance is government-sponsored programs aimed at helping cover healthcare costs, for instance Medicare which is health insurance program for all American citizens aged 65 or older as well as people with certain disabilities (Beik, 2013).   Medicaid, on the other hand, is a program that is aimed at helping the poor or low-income individuals, as well as families, pay for the costs that are associated with long-term custodial and medical care. A practical application for microfinance is private insurance. Here, plans are often tailored to meet the needs of different individuals or offer specific benefits to customers thus enabling them to reduce coverage costs (Beik, 2013).   In the case, such individual goes for out-of-pocket medical expenses; they are reimbursed by Health Reimbursement Arrangements (HRAs). In addition, individual health insurance premiums are also

What happens to the design object when it becomes a museum object Essay

What happens to the design object when it becomes a museum object - Essay Example The answer to these questions lies in the development of cognizant regarding the museum and how it impacts the value of the object Concept of Museum The Museum, as described above, is a place which is not only an artistically design building of different historical objects, but it may also have profound impacts on the people, who have interest in the history hidden behind the object2. The Museums are normally established with having social authority. The social authority refers to the perception that museum creates regarding the meaning and importance of the object. In depth and highly reliable research is required to place the object in the museum along with its exact history. The social authority also refers the social responsibility of the authority, who manages the museum objects along with its deep traces, so that the trust of the people must be maintained regarding the reliability of the history behind the object. The museum controls the ways of seeing3. 1 Controlling the ways may mean that the perception of the people regarding the object can be created or developed by the museum authorities through the way of presentation of the object along with the context of the history described with the object. The museum, as described above, creates its importance and validity. Museums are believed to be the places, where not only historical objects are gathered but their importance also increases. In other words, museum does not only gather the valuable objects but the value and the meaning of the object increase by gathering the objects under one roof. The museum’s artistic framework and design make it able to generate and spread the cultural knowledge that can change the value of the object. Moreover, the museum preserves the cultural heritage so the people from the new world can trace its history more interestingly and realistically4.. The value of the design object: Discoveries of different objects may always lead to the creation of new story of the pa st. Past has always left some signs to be remembered. The objects such as paintings, metals, clothes, skeletons, books, papers etc may be the representative of the past. The reason is that the people from the past are no more. Therefore, only their related stuff can help the researchers, as well as, those who take interest in the histories of the people who are no more. The importance of its history may be mixed with the histories of other objects. Therefore, the common eyes may not be able to catch its importance4. The increase or decrease in value of the objects by displaying the objects in the museum depends upon following different factors 2 1. Size of The Object The Size of the object matters a lot in terms of its importance in front of the common eyes. The reason is that the big pictures, objects can be easily captured by the eyes but the small objects along with thousands of different objects may be neglected because the eyes may not be able to catch the objects view. Therefo re, small objects if combined with other object in the museum may have low value in front of common eyes. On the contrary, the people who have high interest in the history of the particular times they may give high value to even the small objects as well. It can be explained with the help of the common example of museum of Australia 5. The histories behind the aboriginal and Torres Strait Islander Ancestral provide different tales of the past6.3 2. Display Pattern Of the Object: The Museum’

Personal Finance Essay Example | Topics and Well Written Essays - 750 words - 1

Personal Finance - Essay Example The raising of the state pension age to 68 by 2048 will generally make individuals look for other income and pension alternatives which will sustain them since the current retirement age is 65. Thus, for the three years after the retirement, they will need to find a way in order to finance the lifestyle that they choose. In this case, it is expected that individuals will be opting to compensate their state pension by occupational and personal pension in order to bridge the gap. Personal pensions are more likely noting the fact that the package of benefits under this scheme is based on the discretion of individuals. Other people can also opt to find employment even after the retirement age. This is especially true noting the fact that there are some individuals who augment their pensions by retaining their jobs. Having an employment before the retirement is the most probable action that individuals will take especially those who cannot afford to purchase additional pension scheme. Inc reasing the age at which the pension plan will be received also means that the state will be paying pensioners three years less than what is previously practiced. For pensioners this can mean that lower priced packages will be made available since the expected payment time is now shorter. The establishment of a low-cost pension scheme which is coupled with automatic enrolment will allow more individuals to avail of these packages.

Mafia Assignment Example | Topics and Well Written Essays - 500 words

Mafia - Assignment Example The mafia is involved in various criminal activities. These include prostitution rings in various cities and towns around the world. These organizations have brothels and operate night clubs to cover up their criminal activities. Most of the women in the prostitution rings are not willing participants but rather victims of human trafficking sold into the sex trade (Artemis 2004). The mafia is also involved in drug trade supplying large quantities of cocaine, amphetamines and other addictive drugs, besides selling to their customers, they also keep their sex workers hooked on these drugs so they have more control over them. Other mafia activities include loan sharking. They use their economic resources to give loans to needy people, most likely gamblers who have been caught up in gambling debts in the illegal gambling dens owned by the mafia. From such people, the mafia will extort large amounts of money to be used in other activities. The mafia is also involved in labor racketeering, smuggling of goods and at times bank robberies. All these activities are used to grow the organizations’ economic resources putting them in a better position to expand the scope of their illegal activities. Where the mafia is involved, slavery is still an issue. The most serious issue is when it comes to the prostitution rings. The mafia will sell young girls and women into sex slavery since most are unwilling to participate knowingly. In rare cases, the mafia will sell people into forced labor.

Hamlet Essay Example for Free

Hamlet Essay Hamlet is unique in its revenge genre as it has more than one revenge plots occurring within it. The Dominating one is of Hamlet and his desire to avenge his Father by killing his uncle. Throughout the play we see Hamlet in ideal situations to carry out his revenge, but choosing not to do so. In Act III Scene II we see Hamlet using the play that has been set up to try to test the innocence of his Uncle and king by gauging his reaction to a staging of the events of how he supposedly murdered Hamlets father. In this scene we see the so called ‘Mousetrap’ being played out as Hamlet witnesses Claudius reaction to the play and witnesses his reaction, from this he draws accurately that Claudius is guilty. He has confirmed the ghosts message as true, ‘O good Horatio I’ll take the ghost’s word for a thousand pound,’ and has from that found his resolve and is now fully willing to avenge his father by killing Claudius. From Claudius sudden exit ‘The king rises’ and his poor reason for doing so ‘Give me light. Away! ’ it leaves Hamlet and the audience fairly certain of Claudius guilt. This leads us to disagree that Hamlets methods of enacting revenge are ineffective as the ‘Mousetrap’ was very successful for Hamlet in finding his resolve and evidence for him to exact his revenge. To some extent though the Mousetrap was only effective for Hamlet as it convinced him that of Claudius’ guilt but it doesn’t wholly convince the audience and possibly Horatio, as we can see from Horatio’s lack of enthusiasm and joy but instead simply agreeing with Hamlet on what he saw not what he has drawn from it; ‘Hamlet: Upon the poisoning, Horatio: I did very well note him’. He like the reader, the queen and other members of the court will more likely to assume that it was Hamlet’s incessant taunting and insults that has disturbed the King and caused him to leave it in such a manner. The intended audience of this play which was a late Tudor/early Stuart one also may be more drawn to it as the idea of killing a brother, or uncle such as Hamlet intends, as one of the greatest atrocities of which man was capable which comes, like revenge, from the Romans, and may be more hesitant to accept that someone in such a position of power and noble birth should be incapable of. Also it seems far more likely that it is Hamlets taunts that has caused the kings unrest as the Mousetrap does not provide solid evidence of Claudius’ guilt and that it is more a dramatic imperative that Claudius is guilty of killing Hamlets father as otherwise the play would not fit the criteria of its genre and lead it on to a far cry from what is intended. From this we can see that Hamlet’s methods are ineffective but they have to be correct for the play to carry on. In Act III Scene we see Hamlet finding himself in an ideal situation to carry out his revenge, he has just discovered that Claudius is guilty of murdering his father and now has Claudius alone and unaware; prime for the kill. However Hamlet for some reason stays his blade, and chooses that this type of revenge is not for him, either a clash between his Christian ideals of ‘do unto others as done to you’ and his Renaissance Roman ideals of revenge. Somehow this culminates in Hamlet seeing this revenge as not being up to scratch as he sees it as leading to Claudius forgiveness in the eyes of God, ‘To take him in the purging of his soul, when he is fit and seasoned for passage? ’ Hamlet’s choice to not kill Claudius here leads to his own death as well as the needless death of all the other characters, it also shows how his methods of enacting revenge are ineffective as he was basically given Claudius on a silver platter but refused to kill him due to his ideals contradicting his desires. One can see Hamlets actions during the final scene to show his methods of revenge as being very effective. After witnessing the death of his mother and Laertes confessing to Hamlet about what Claudius has done, ‘The King, the King’s to blame. ’ Hamlet wastes no time in avenging his mother as he forces Claudius to finish the poison, ‘Here, thou incestuous, murderous, damned Dane, Drink off the potion. This also could suggest that Hamlet’s previous delays in enacting his revenge were based only on non-conclusive evidence which in such a mind as Hamlets could very easily have manifested itself into doubt about what he had to do. But finally having conclusive concrete evidence of Claudius Hamlet does not delay in slaying him. Hamlets ability to carry out revenge seems to depend greatly on the presence of his mother and whether she is involved. We can see that when Hamlet is sent to speak with his mother after the Overall we can see in this that Hamlets methods of enacting revenge seem rather dependant on his state of mind, whether he is thinking rationally with a level head which leads to him procrastinating and overthink and subsequently be ineffective, or if his he is enraged, forced to react quickly, or spurned on by the presence of his mother whose presence infatuates and aggravates him. Overall though one must admit that Hamlet did in fact manage to kill Claudius which means to some extend are effective though not greatly as in doing so it lead to the deaths of almost all of the main characters in this play. Had Hamlet been more like his Fortinbras, who can be seen as a foil character, then he would have reacted upon learning immediately of Claudius guilt and slew him whilst he prayed but instead Hamlet delayed it and led to a more ineffective method of revenge.

Tradition and Continuity Essay Example for Free

Tradition and Continuity Essay Why, and to what extent, have conservatives been committed to tradition and continuity? Conservatism was a reaction to all other ideologies. It believed in conserving the best of the past and governing society with reform, not revolution. In the French revolution there was a lot of uncertainty because people did not know what to do afterward and they ended up in a worse position then they were before. Conservatives believe that humans are; psychologically imperfect, which means that we are security seeking creatures who dislike change. They believe we are intellectually imperfect which means we are incapable of acting rationally and are very instinctive. They believe we are morally imperfect which means we are born sinful and conservatists have a profound scepticism about our natural goodness. Conservatives have always been committed to tradition, ever since Toryism was first formed. They only believe in slow change which relates to peoples changing views and opinions like the English Legal System. Because they believe we are psychologically imperfect, they don’t want us to undergo any uncertainty whatsoever and so they dislike revolution because even though people may have a ‘better’ idea of how things should work, it has not yet had the test of time and so there is no need for risk. Conservatives believe society is like a living organism i.e. a tree, so it needs to reach out to both the past and the future and cannot be severed from its roots to survive. Since individuals lack wisdom, tradition is a better test of goodness and virtue, as Edmund Burke said, ‘the accumulated wisdom of the ages as the heritage of society is the best source of virtue and goodness’. Conservatists are pragmatic, which fits into their commitment for continuity, they are not opposed to change, but question it and only accepts slow, specific, evolutionary change. Conservatists preserve the best and change what is essential. Tories changed to Conservatories because they needed to accept limited change to prevent greater change. This is why they accepted the extension of the franchise ‘the right to vote’ and the rise of the welfare state to forestall more radical demands. Conservatism is not trying to go backwards ore forwards, but rather to preserve the status quo. This means it is not trying to create a utopian society like Liberalism, Socialism and Anarchism. Conservatists believe that human nature is not a constant, but ever changing as the nature of society changes and therefore have criticised all other ideologies on the grounds that they have been based on a fixed view of human nature. Classic Liberalism had an ideology with a fixed view of human nature and believed in Laissez-faire economics where the private companies would control the economy and help it to grow, but in the industrial revolution, they saw that capitalists took advantage of the workers and so modern liberalism was born, this shows that Conservatives have a better knowledge of human nature than the liberals do. Conservatists do not like abstract theory and the intellectual approach to politics. It believes in an un-codified constitution which can evolve through time like the UK constitution. It acts on the basis of concrete observation, circumstances and past events, rather than a theory. In conclusion the extent that Conservatism has been committed to tradition and continuity is very high because the whole point of conservatism is to preserve and in the early days of Toryism, they wanted to keep things exactly the way they were, this is why people call them the party for the rich because in the early days, the aristocrats and land owners had the power. Tories had to become Conservatists to cope with the ever-society and to prevent revolution like in France they had to give in to some democratic demands. Conservatists do not believe in the majority having a say, because what the majority want is not always right for the nation, this is where paternalism comes in so that the relationship between the state and its people is like parents and their children, it may not always seem right or fair, but in the long run it is what’s best for the Country. Conservatists want to continue the way things run so that society moves on and is not in a stand still place, where people become uncertain about how the Country will be governed, or if other Countries will see this as a chance to attack. A tree is not taken out of its roots and continued growing.

Complete draft dissertation

Complete draft dissertation Chapter One Introduction Music can provoke different responses because of the way its message communicates and gives meaning to peoples lives. Ned Rorem stated, ‘music is the sole art which evokes nostalgia for the future (Shuman 1997: 140). The music scene is testimony to the way in which old musical genres have either provoked a sentimental nostalgic response in wanting to maintain and preserve a traditional sound, or a pragmatic artistic response which chooses to use the memory of an old musical message and sound to inspire new, creative innovations. Flamenco is no exception. Throughout its history there are those who have sought to encase it, referring to it with notions of romanticism and sentimentality, and those who have embraced its evolving nature. The first is true of intellectualists Falla and Lorca, who sought to preserve cante jondo -the ‘deep song of the outcasts by hosting festivals strictly for traditional artists to display its ‘purity. It is also evident in the attraction of the rising middle classes in Andalusian cities toward the tragic song of flamenco. Flamenco provided a romantic perspective of the past, a ‘folklore-like history to provide a distinctive identity for Andalusians, also allowing them to express their sympathy for the downtrodden. The poor, for their part, embraced the ‘romantic song style of flamenco because it expressed their anguish, and also allowed them in hindsight to have a rosier slant on their miserable pasts ‘holding out a hope, however faint, that the since rity of their song would qualify them as bonifide cultural heroes in the future (Washabaugh 1996: 55). Since flamenco evokes ancestral history, the art form can encase and preserve these memories, only to re-live them through melancholic sentimentality. Conversely, Và ©lez suggests that ‘the pleasures of the past are not lost to the present, but are transformed into radically different aesthetics by the manifold forces that operate through time (Và ©lez 1976: 25). This approach recognises the contributions of the past that keep giving to the present, allowing the process of musical evolution to keep an art form alive and developing. In this way, ‘each generation builds new pleasures on top of old, and adds fresh memories to existing recollections (Featherstone 1991: 32). This is true of modern flamenco artists, who seek to recognise their ‘roots, while introducing their own interpretations and often experiment with other musical sounds. Globalisation has meant th at the product of this approach is seen in a fusion of elements with very diverse musical styles. Modern flamenco fusion band Ojos de Brujo share this approach: Flamenco is in many places and it can evolve in many ways†¦ we draw from the same source and we have the same love and the same respect for this music (Flamenco World 2002). This dissertation will examine the main perceptions of flamenco; an older, traditional perspective that views flamenco as  ´dead ´ and another younger perspective that argues flamenco is still a vibrant and living art form. It will account for aspects within the raging debate over flamencos historical purity, studying how it has remained a constant, changing and evolving art form. Chapter Two will examine the  ´purity ´ of the history of flamenco, considering the four main perspectives through which it has been viewed. Chapter Three studies the significance of the message and emotion characterising flamenco, and the way in which the song forms serve as a window into the lives of the flamenco community. It also accounts for the fact that though traditionalists contend for one ‘pure song form, there are in fact many branches within the genre. Chapter Four describes the journey in the modernisation of flamenco, considering how traditionalists blame this era for the ‘degeneration of flamenco, whilst modernists praise it for its progress. Chapter Five analyses the two groups that have emerged in the flamenco scene, the purists who insist that ‘true flamenco resides in the past, and the modernistswho look embrace the evolution of the art form. Chapter Two The History of Flamenco Flamenco holds many threads of history. Depending on who is narrating its past, the  ´proper ´ and  ´true ´ history of flamenco can be found in various long-lived and widespread claims. Washabaugh identifies four main ideologies held by flamencologists; ‘Andalusian, ‘Gitano, ‘Populist and ‘Sociological (Washabaugh 2006: 32). This chapter will consider the debate over the purity of the history of flamenco and examine the four main varying perspectives through which its origin has been viewed. The line of ideology emphasisng the Andalusian character of flamenco music conveys its deeply-rooted and cultural musical characteristics only formed by Andalusia ´s unique history and demographic make-up that created the conditions which birthed a very distinct art form. Unlike the constructions of Spanish nationalism, especially in the Basque and Catalan regions, Andalusian identity was not predicated on the notions of racial purity, Andalusia ´s unique identity was often defined by the very multiplicity of cultural and racial layers from which it had evolved (Brown 2007: 230). Contributing to this melting pot, the 800 year reign of the Moors tolerantly allowed other diverse culture groups to cohabit within their society; Arabs, Jews and Catholics all contributing to the rich mix found in multicultural southern Spain. However, the Christian Reconquista in 1492 brought a new era of hostility to the region, driving out all Jews and Muslims who refused to convert to Christianity, alongside gitanos who refused to conform to sedentary occupations. This expulsion united the persecuted cultures against the Inquisition who now shared a muliticultural common life. An intense blend of Muslim, Jewish, Indian and Christian cultures characterised these underground communities, producing a fusion of distinct musical sounds which formed what we now call flamenco, here, in the midst of the minorities. ‘And there it stayed, performed in the privacy of their houses or caves unknown to the world until the end of the eighteenth century when it began to be heard in the ta verns and other public places (Totton 2003: 15). There is a vivid debate between the gitanos and payos over the origin of flamenco, both people groups insisting on their contribution due to their cultural bonds.  ´The majority of non-gitanos do not deny the role of the gitanos in the enriching and developing process of the flamenco art, but they are very absolute when it comes to the origin, Andalusia (Papapavlou 2003). Many composers and philosophers such as Manuel de Falla were keen to preserve a musicological perspective that contributed to a Spanish identity based on the romanticism of Andalusias origins as a primitive artefact. Writers and philosophers ´ diverse assertions of a distinct Andalusian identity give varying emphasis to oriental music through Indian (the gitanos place of origin) and Arab roots, Sephardic Jewish music, as well as influences as far back as the early Greek, Roman, Visigoth and Byzantine rulers. These concepts are all based on the diverse musical influences that can be traced in the flamenco cante, baile and toque; its very un-Western chant like melodies and long melismatic wails, its strong twelve-count compà ¡s which provides a driving underlying rhythmical structure with syncopated accented golpes, as well as the exaggerated upper body movements and stamping zapateado created by the bailaor. Altogether these speculative transferring influences are said to play a pa rt in the evolution of flamenco. These claims also contain cultural connotations that provoke issues of race and identity, which seek to shape Spanish cultural consciousness and identity. In this way,  ´the anthropomorphised Andalusia passionate, musical, changing, and anarchical- had become the true source of flamenco ´ (Deutsch 2004: 220). ‘Though Lorca contends that flamenco has to do with a purely Andalusian canto which existed in embryonic form before the gypsies arrived, others think that flamenco is the ethnic music of the gitanos (Steingress 2003: 154 quoting Lorca 1984). The active participation of the gitano community created a phenomenon by virtue of their extraordinary facility for adaptation which brought the diverse cultures of Andalusia finally into harmony (Leblon 1994: 72). Cante gitano refers to the songs that expressed the pain of the gitanos under persecution. They were kept alive ‘underground and performed in the gitanos notorious family gatherings and fiestas where the atmosphere was conducive to spontaneous song and dance. These performances were so intimate that the distinguishing lines between audience and performer were blurred. Their strong oral traditions and  ´gritty ´ songs of old provided a strong identity amongst the Andalusian gitanos, the reason why writers such as à lv arez Caballero believe they were nothing short of the prime movers of flamenco (Caballero 1988: 70 Washabaugh p.34). To many, therefore, the word flamenco has become a synonym for the gitano. This is helped by the fact that thiscommunity is still a very visible sector of society. Although historically by the nineteenth century the gitanos were now an integrated part of Spain, they represent a people group with a uniquely separate racial status, while still forming an integral part of Andalusian culture (Brown 2007:230). The gitano perspective is not without criticism, however, and there are debates about attributing the entire creation of flamenco to the gitanos, some flamencologists even questioning the very nature and instinct of the gitano to be able to create an art form. Ruiz, amongst others, believes that the gitano by nature does not create, but assimilates and integrates, contributing, rather, his influence in this way (Ruiz 2007). Similarly, Totton believes that the gitanos did not bring their music to any country they settled in. Instead, they adopted the music of that country, adapting it to their own particular style of musicality, their strong rhythmic sense, and their tendency to dramatise. In this way he believes that  ´the gitanos have been the catalysts, but flamenco developed in the melting pot of Andalusia ´ (Totton 2003: 14). Others believe that the origins of flamenco matter not, and that flamenco is not just the music of southern Spain but forms a way of life that influences the daily activities of many southern Spaniards. Moreover, one does not have to be a performer of flamenco to be a flamenco.  ´A flamenco is anyone who is emotionally and actively involved in this unique philosophy†¦an outward expression of the flamenco way of life ´ (Pohren 2005: 9). This ideology is also held by the populist point of view which sees flamenco as a voice of resistance. Instead of emphasising its ethnic origins, flamenco primarily is seen to have been used as a means by which to express an outcry from the conditions of oppression in which marginalised people found themselves. This account merits these oppressed artists as the creators of flamenco, their cante jondo marked by a deep and moving performance brought to life by duende. ‘For Lorca, the supernatural force of the duende enters human beings and possesses them as they create inspired, deeply moving work (Hayes 2009: 40). A performance which lacks the essence of duende would be considered as shallow and ‘unpure; a common accusation of the flamenco purists of modern, more commercial, performances. This populist account suggests that the flamenco style persisted in Andalucà ­a for nearly 500 years. However, ‘during the nineteenth century that resistant song of the lower classes began to lose its bite with the commercial developments of the art form (Washabaugh 1996: 36). Still others argue that the spirit of duende continues. The sense of Andalusian oppression has been a central theme in flamenco, and the present political freedom and crisis of mass emigration have, if anything, intensified the use of flamenco as a vehicle of social commentary both through text content and, less overtly, through stylistic innovations (Tong 1998: 176). The sociological perspective is that flamenco is a phenomenon that brings classes together, and disagrees with many populists assessment of the  ´degrading ´ transition flamenco went through in its commercialism. Flamenco remained a voice of the lower classes though it became popular and began to be heard by the upper classes in the  ´golden age ´ of the cafes cantantes. It was on this stage that performers were able to vent their tragic past to their audience of wealthy oppressors. Washabaugh explains that  ´the song, on this account, performs a double catharsis, exposing and relieving both the pain of the poor and the guilt of the wealthy ´ (Washabaugh 1996: 36). In this way, flamenco is a means of connecting both sectors of society as both poor and wealthy can walk away from the performance psychologically unburdened by the awareness of their different social standings. Focussing on the sociological history of flamenco, this perspective coincides with what is described as the ‘second wave of the genre, a time when flamenco embarked on a process of what Biddle and Knights term as  ´re-Andalusianisation ´, finding its identity in both a local and global dynamic (Biddle and Knights 2007: 14). Though this point in flamencos development is seriously criticised by flamenco purists, for sociologists it was here that flamenco truly came into being, reaching the popular scene, and finding its  ´Golden Era ´. In this way, some authors believe ‘there is no point in searching in the distant past for origins or a genre that really did not come into being until the middle of the last century (Leblon 1994:77). Upon reflection, the tradition of flamenco has not enjoyed the same faithful written record as other classical forms (Hayes 2009: 53). The origins of flamenco seem likely to remain shrouded in mystery for some time to come, due to the circumstances surrounding its birth and musicologists ´ unwillingness to tackle the question. As long as the only efforts made in this field have as their sole aim the ruthless elimination of a given community from the competition, there is no chance of our knowledge progressing (Leblon 1994:73). To conclude, this chapter has exposed the variation in the historic accounts of flamenco, and the ideologies that have emerged from four different perspectives. It is therefore evident that flamenco has not followed a  ´pure ´ linear history, but has encountered many different components equally indispensable to the process of its creation. Chapter Three The Voice of Flamenco in Society Flamenco has been described as ‘a way of life, a way of perceiving and interpreting daily existence (Martinez 2003: 5). Its central position in its communities distinguishes the art form from many other musical genres, and only in understanding its voice in society can one appreciate the passion that flamencos feel for their music. This chapter therefore sets out to discover the significance of flamenco and its legacy by studying the messages that its song forms carry, which serve as a window into the lives of the flamenco community. It will also examine the importance of personal expression channelled through the three musical elements of flamenco: cante, baile and toque. Furthermore the chapter accounts for the different subdivisions of the genre, also suggestive of the fact that there is not one ‘pure form of flamenco but many branches that serve as a reflection of different flamenco communities. Though there is much discussion concerning the exact origins of flamenco, it is evident that, at first, it was an art form in the hands of the minorities. There are many song forms within flamenco that serve as a window into the lives of these communities. Flamenco was a reflection of social life, engaging not only with universal themes such as love or death, but also referring to religious and political issues affecting personal life. Many have examined the way in which the community expressed their ways of life through flamenco; lifes pressures, work conditions and the inequality of hierarchy in labour, social structure, and social divisions. En este aspecto, la desigualdad es el eje vertebrador del cante a travà ©s de diversas temà ¡ticas que, aun referidas a lo universal, al amor, a lo panhumano de la muerte o el dolor, està ¡n siempre socializadas traspasadas por una experiencia cultural no abstracta ni confundible con otras: la andaluza (Roldà ¡n : 112). Flamenco palos, or song forms, convey these themes, many categorically giving emphasis to one theme in particular. For example, amongst many, Carceleras are prison songs, alboreà ¡s are gypsy wedding songs, and mineras are miners songs. Other song forms emphasising a more general theme accentuate a specific musical element of flamenco: the cante, toque or baile. Flamenco in its original form was only cante, a primitive cry or chant accompanied only by the rhythm which would be beaten out on the floor by a wooden staff or cane. These styles are known as Palos Secos and they are the oldest forms of cante known today. These including the tonà ¡s, and the saetas, religious songs thought to be of Jewish decent used during processions, improvised without any accompaniment. Other palos are above all rhythmic which have also given rise to leading dance forms, such as the soleà ¡, and bulerà ­a. In the revelation of these mostly tragic song themes, it is important to convey the difference between flamenco and western music, primarily in the way in which, in the west, one hears the tune first, and then only then, perhaps, the harmony, rhythm and words. To the flamenco, the tune is little or nothing, and the harmony less, being aware, above all, of the words and their rhythmic and forceful expression (Totton 2003: 84). Fà ©lix Grande has defined flamenco as ‘a tragedy in the first person and ‘a protest without hope or destination (Grande 2007). The siguiriya is an example of this concept, the heart of cante jondo. ‘It expresses anguish, lament, and despair, and has been described as an outcry against fate and quintessence of tragic song (Totton 1995: 90). It is an example of how the transmission of song serves as a window into the lives of the flamencos. The following copla from a traditional siguiriya is an example of how the history of these Andalusian communities is communicated through the art form: Seà ±or Alcalde mayor Lord high mayor Y demà ¡s seà ±ores And other fine lords Estas penitas a este cuerpo mà ­oThe pain in this body of mine No le corresponden Is not deserved (Kirkland 2001 :9) Felix Grande would respond to such an example by saying : Listen closely to a tonà ¡, truly hear a seguiriya; let some tientos slide through the hairs of your arm. Perhaps you will sense something resembling the hand of Philip V signing a paper in 1745- surely without trembling- to authorize those pursuing a Gypsy to enter a church and take him from its protection (Kirkland 2001: 9). The striking imagery and emotional purity of cante lyrics is also evident in the following coplas: El tiempo y la marea todo me viene en contra; los golpecitos de este mar furioso salen por la popa ( : 94). Hasta las piedras saben la desgracia mà ­a que yo las vendo -mis desgracias- de noche y de dà ­a (: 95) On one level, the coplas serve as a descriptive reflection of the lives of the flamencos, and on another, serve as a representation of complaints, hopes and vindication. El flamenco sirve para descubrir la realidad, para exponer las formas de vida y hasta cuadras de costumbres, pero tambià ©n para reflexionar sobre ellas y denunciar las desigualdades. Pasa de lo descriptivo a lo analà ­tico sin saberlo, y a veces a lo crà ­tico (Roldà ¡n : 112). It is therefore evident that the role of flamenco in society is not merely aesthetic, or for ephemeral enjoyment, but that it has become a living testimony of the flamencos themselves, and an outlet for emotional unburdenment. No canten, pues, con el à ºnico objetivo de hacerlo mejor que la vez anterior o mejor que otros cantaores: cantan porque es sus propias carnes o en las carnes de su propio grupo social o clase han padecido marginaciones y atropellos que a su vez se convierten en exponentes y portavoces de sus propios grupos, familias o entornos. (Gelardo y Belade :21) This is also suggestive of the reason why purists seek to protect the purity of this expression. Clemente believes that dealing with cantes, palos, compà ¡s, and melody is like dealing with living beings, ‘they deserve the respect involved in keeping them alive (Clemente n.d). This reveals an intrinsic link between the lyrics and expressive aspects of the music. Early developments of flamenco show that the socio-political dimension of the art form is manifested in both these facets. Pohen (1995) believes that it can not be overemphasised that flamenco, above all the jondo flamenco, is in essence an emotional art. Moreover, the artist needs only enough technique to enable him to convey his emotions to himself and to his public: The improving of technique to the point of virtuosity is not usually synonymous with the improvement of the artist ´s ability to communicate. Conversely, the opposite is more often true. The virtuoso often becomes a cold machine, too concerned with his technique, too complicated, too entangled in his own virtuosity, too conscious of the fact that the majority of the public is awaiting this virtuosity more than any duende he may impart (Pohen 1995: 58). This emotion is woven through the cante, baile, and toque, each embodying the rhythm and expressive force necessary to bring the words of the coplas to life.The cante is said to have been developed in isolation by Andalusians, and especially gitano Andalusians, ‘and which redeems humans from the prison of language and the darkening isolation of social life (Washabaugh 1996: 90). The flamenco cantaor recreates and embroiders the song form in a personal way, expressing to the audience what the words mean to him (Totton 2003: 84). The quejà ­o, melisma,the manipulation of the compà ¡s, and the quality of voice itself are ways to enforce the power of the cante. The cantaor also adds emotion by spontaneously weaving his voice around the words, envoking duende. The intensity of the cante means that many cantaores prefer to sing al golpe,accompanied only by knuckles on the table and the cries of encouragement from the jaleo. The baile also takes on the character of the coplas by concentrating on forceful rhythms. This contrasts from the graceful movements given importance by modern music academies, a feature of modern flamenco also criticised by purists. Prejudices run deep on the subject, and the Spanish language marks the difference: the classically trained dancer (whether or not also dancing flamenco) is a bailarà ­n; the flamenco dancer is a bailaor or bailaora (Totton 2003: 51). ‘Pure flamenco baile is expected to be individual, forceful, downward, and introvert. A similar prejudice has been established between classical guitarists and a true, flamenco tocaor. The difference can be seen in the very way the guitar is held to the emotional way the tocaor marks out the rhythm and compà ¡s through plucking, strumming, tremolo and banging the wood, and also the ability to improvise, adding his own falsetas. Toca de oà ­do, por intuicià ³n, improvisando continuamente, y aporta, como productos de cosecha propia, las falsetas (Ruiz 2007: 90). Though the toque element was introduced later on in the evolution of flamenco song forms, it is still seen to be an important element. La gran originalidad de la mà ºsica flamenco de guitarra se resume en el hecho que los elementos melà ³dicos, armà ³nicos y rà ­tmicos que la componen tienden a inferirse en provecho de un elemento expresivo superior que engloba y enriquece a los demà ¡s y que podrà ­a calificarse de dinamismo (Hilaire Ruiz 2007: 91) Uniting all elements of flamenco, lyrical, musical and emotional, is the strong sense of tradition and heritage manifested in the art form itself. In this manner, flamenco receives and keeps giving back its communities, allowing the flamenco legacy to live on. It is important to note that until recently, music and lyrics were never written down but transmitted orally. Compositions from the past have been handed down through the generations, and the extensive categorisation of palos reveal that there are many branches of flamenco, originating from numerous communities from different parts of Andalusia and further afield, all adding their musical flavour and history. These branches can be as contrasting as the discussed traditional tragic siguiriya and cante jondo to the cantes de ida y vuelta which were exported from Spain to the New World where they acquired new influences, later to be re-imported again to Andalusia by returning emigrants. These contribute to the rich diversity of so ng forms which have evolved from the original palo seco to varying rhythmic song forms which incorporate baile and toque, two main elements of flamenco that were integrated later on in the evolution of flamenco. Throughout the evolution of flamenco song forms, purists insist that the ablility to evoke duende distinguishes the ‘true flamencos from modern, experimental musicians, due to their ability to identify with the anguished themes of the cantes, re-living these emotional experiences. This chapter has discussed the role of flamenco in society through analysing the dual function of the art form. Firstly, it is evident that the genre transmits the history of a marginalised people through the coplas. Secondly, and entwined with the first, is the expressive, mainly painful, release of emotion associated with life experiences through the three channels of flamenco; cante, baile and toque. In this process, the evoking of duende is what sets flamenco apart from other musical forms, and is suggestive of the purists insistence of protecting a ‘traditional and ‘pure music. However, the many branches of musical style within flamenco also alerts one again to the fact that, though flamenco demands a purity of emotion, there is not one ‘pure song form and single history within the genre, but many stories with diverse themes and musical influences, inevitable in an art form of oral tradition. Chapter Four A New Era of Flamenco When evaluating the different phases of flamenco, flamencologists have tried to define the time line into conveniently identifiable eras. ‘The stages flamenco has passed through until the present day are identified by the venues where it was staged, as well as the artists who were most popular at any given moment (Martà ­nez 2003 :66). Biddle and Knights (2007) refer to these historical stages as ‘waves, while Steingress (2003) refers to them as  ´steps of hybridisation ´, both studies highlighting exhaustive influential causes of change undergone by flamenco. The phases which have contributed to the modern evolution of flamenco are important to highlight because of the way they have changed the face of flamenco, both musically and culturally, not only adapting its sound but its audience also, taking it from the primitive privacy of the juerga to the very public showcasing platform. This chapter will examine the stages marked by three main venues that changed the ima ge of flamenco: the cafà ©s cantantes (1860-1920), the theatre which hosted à ³pera flamenca (1920-1950), and the tablaos and peà ±as (1950-1975). Through describing their effect on flamenco, the chapter will also study the way in which these periods have provoked a debate which accuses this period of evolution of either the ‘degeneration or ‘making of the art form. The study will account for the perspective that, whilst many look to the past to define flamenco, the genre has encountered many different components equally indispensable to the process of its creation. The cafà ©s cantantes laid the groundwork for what has been termed the ‘Golden Age of flamenco. ‘Having only existed as a way of life, little by little flamenco gained popularity, and by the middle of the last century, sharp businessmen realised that flamenco could be exploited profitably in commercial exercises (Pohren 1995: 146). Flamenco was introduced as a public attraction and customers flocked to witness the novel presentations of the flamencos who complied to life as a paid artist and higher standard of living. One of the things that the cafà © cantantes achieved for flamenco was to broaden the range of non-gitano performers who were willing to make crowd-pleasing innovations and modulations, as neither the payos nor their audiences had quite the same distaste for broad popular appeal (Drummond 2006: 168). Those who performed in the cafà ©s naturally followed the tastes and whims of the customers and it is argued that thistrivialised flamenco, ‘since patrons requests favoured ‘festive rather than ‘deep flamenco performances (Hernà ¡ndez 2008: 15). Furthermore it is contested that this enforced a staged professionalisation inspiring competition amongst performers, not a feature of flamencos emotive purity and unconcern for virtuosity. ‘The guitar, in particular gained eminence in cafà © performances and, from being an instrument to accompany song and dance, it became a show in itself, and solo guitar performances soon became popular favourites (Hernà ¡ndez 2008: 15). In addition, ‘artists from the different provinces of Andalusia contributed to an enhancement of flamenco by elaborating their regionally distinctive substyles (Washabaugh 1996: 33). An important artist to emerge from this era was Silverio Franconetti, a non-gitano who opened his own succes sful cafà © cantante, and is amongst a group of flamenco  ´legends ´ to emerge from this era. His legendary fame for contribution to the flamenco scene, even recognised amongst gitanos themselves, however, is ironically criticised. This accounts for the parody of the  ´Golden Age ´. On one hand, condescension for the beginnings of crass commercialism, and on the other, an excitement for the new wave of creative and technical competence. Nevertheless, in the light of the modernisation that was to come, many  ´pure ´ artists were still able to enjoy the profit of this time, being able to make a decent living from what they loved most. Desperate to preserve tradition in the threat of modern change, Spanish Intellectuals Manuel de Falla and Federico Garcà ­a Lorca attempted to revitalise the  ´true ´ and  ´pure ´ spirit of Andalusian flamenco by promoting the Concurso de Cante Jondo in 1922. They rejected the name  ´flamenco ´, embracing the term  ´cante jond o ´ in order to stimulate interest in uncommercial styles of flamenco which were in decline. However, the initiative could not prevent the second wave of modernisation which replaced the cafà ©s cantantes with

Scarlet Letter :: Essays Papers

Scarlet Letter In the novel The Scarlet Letter, the scarlet letter â€Å"A† has several meanings throughout the novel. For each character the scarlet letter stands for something different. Each of the main characters interprets the letter in different forms. The townspeople observe the letter as a form of shame and embarrassment. For Hester the letter takes on several different forms. Arthur Dimmesdale, the Reverend, sees the letter on Hester’s breast as a constant torture of his sin and secrete. He goes through terrible ordeals throughout the novel. For Roger Chillingworth (Hester’s husband), the letter stands for power. The Townspeople see the scarlet letter â€Å"A† as a form of embarrassment for Hester and a way of keeping order and peace within the colony. The story begins with Hester having to go on the scaffold and stand there for three hours with her two shameful sins, the letter A (which stands for Adulteress) and her illegitimate child. The magistrates feel as though constant public embarrassment will disclose the secret of the child’s father. On the scaffold Hester experiences harsh words. A group of women are having a discussion in the crowd and one-woman states, â€Å"At the very least, they should have put the brand of a hot iron on Hester Prynne’s forehead. She may cover it with a brooch, or such like heathenish adornment, and so walk the streets as brave as ever† (1332). This statement shows that it was not enough that the townspeople knew she committed a sin, but they wanted to see the sin on her chest constantly. This letter somehow gave them power over Hester and made them feel more superior. Without them seeing the letter they felt that her sin was not being seen. Even after Hester moves away from the town, into the forest, children go there to get a glimpse of her; this continues the embarrassment for Hester. Also, the ministers of the town use Hester’s sin in their sermons. Another way in which the town punishes Hester and tries to have some type of power over her is when they try to take her child. As the novel progresses and Hester becomes a helpful person in the community, people begin to accept her in society again but the scarlet letter is never overseen.

The Ugly World of Competitive Figure Skating :: Exploratory Essays

The Ugly World of Competitive Figure Skating For every Olympic games, there always seems to be some type of scandal or drama. The 2002 Winter Olympic games in Salt Lake City proved itself to be full of this excitement and controversy. That year the scandal appeared in one of the most popular events, figure skating. The competition was between the Russian and Canadian figure skating pairs. The Russians showed a performance full of technical difficulty without pulling it off completely. Their performance was marred by simple mistakes. On the other hand, the Canadian pair performed a piece full of emotion, and while not as technically difficult as the Russians, more thorough and precise in their landings and jumps. After their performance the audience and the television commentators all believed they were the gold medallists. However after their score went up, they were sorely put in second place. As it turns out a French judge exchanged votes with a Russian judge so that the Russians would win the event. Since this happened, it h as opened up the doors to the world of figure skating and informed the public of its corruptness. What people need to notice is that judges exchanging votes is only one part of the problem and how well a person actually performs the techniques on the ice is only one part of the judging. In an article published in Newsweek right after the scandal was exposed the author states, "For ages figure skating has attracted ridicule for letting a competitor's nationality, make-up, costume, and choice of music seem to count as much as the athleticism and grace." (Begley 40) As it stands now in 2010, it looks as though no one has learned a lesson from this event or article. Judges who make deals before competitions and get caught do not suffer any harsh consequences. They continue to practice unsportsmanlike conduct while judging. In my movie (as yet to be titled) I hope to address not only the fact that judges make deals ahead of time, but that certain skaters are discriminated by their race a nd sexuality as well as for arbitrary reasons. The movie will be set in the United States, most likely in Connecticut, a common place for skaters to train. The main character, Kris is working on making it up the ladder of the amateur skating circuit. She comes from a lower middle class family that cannot support her hobby of skating.

Parts Of Automobile :: Car Parts

Air Filter – a device that reduces the concentration of solid particles in an airstream to a level that can be tolerated in a process or space occupancy; a component of most systems in which air is used for industrial processes, ventilation, or comfort air conditioning. Automobile self starter – the bell housing is part of the transmission system on a gasoline (also known as petrol) or diesel powered vehicle. It is bolted to the engine block and contains the flywheel and the torque converter or clutch of the transmission. The starter motor is usually mounted here engaging with a ring gear on the flywheel. On the opposite end to the engine is usually bolted the gearbox. Bucket seat – a seat contoured to hold one person, distinct from bench seats which are flat platforms designed to seat multiple people. Bucket seats are standard in fast cars to keep riders in place when making sharp or quick turns. Bumper – a part of an automobile designed to allow one vehicle to impact with another and to withstand that collision without severe damage to the vehicle's frame. Brush guards, push bars, etc. were added "after-market" to bumpers of automobiles, pickups, trucks, and utility vehicles since at least the 1920s to provide additional protection to the vehicle. While bumpers were originally made of heavy steel, in later years they have been constructed of rubber, plastic, or painted light metal leaving them susceptible to damage from even minimal contact. For the most part, these vehicles cannot push, or be pushed by, another vehicle. An entire after-market industry has developed which now produces various guards to protect these vulnerable modern bumpers. Buzzer – or sometimes called beeper is a signaling device, usually electronic, typically used in automobiles, household appliances such as a microwave oven, or game shows. Car battery – a type of rechargeable battery that supplies electric energy to an automobile. Usually this refers to a SLI battery (Starting - Lighting - Ignition) to power the starter motor, the lights and the ignition system of a vehicle’s engine. This also may describe a traction battery used for the main power source of an electric vehicle. Car door – an opening to enter to the car (or their compartments or partition), often equipped with a hinged or sliding panel which can be moved to leave the opening accessible, or to close it more or less securely. Clutch – a machine element for the connection and disconnection of shafts in equipment drives.

Every Eel Hopes to Be a Whale Essay

The above lines â€Å"Every eel hopes to be a whale† expresses that a every person in this world have some desires, some are in his hands some are not. The one which are not in his hands are his wishes. These wishes are reachable with strong efforts and some kind of ambition to achieve them. Ambitions are strong desires which are helpful in achieving the wishes. The above line states that everyone in this world wants to live a luxurious life but when he got that he wants more enough than that. His wishes never comes to an end and he wants to be a whale means that he wants to be big enough that no one could reach him. Here, big means not a healthy body but desirable and a luxurious life and here eel means a person who is a poor personality who cannot even fulfil his basic needs. In fact, eel is a smallest fish in a ocean whereas whale is the largest fish in the world. In these lines, eel is being expressed as a person who cannot fulfil his basic needs and whale is being expressed as a person who leads a happy and a luxurious life. One should be like that but to choose a reasonable way not a devilish way if he chooses those ways he might be escaped in this world but in the next world he will be punished harshly by ALLAH Almighty.

Alcohol and Sports

When college students and adults drunkenness irresponsibly, they often establish negative associations with waterspout beverage and its hindering effects. intoxi earth-closett is a constituent of non-homogeneous inexpert and other shells in the United States. It is lendable at a wide simulacrum of earthly concern playfulnessy nonethelessts and often is the important focus of celebrations of success and achievement. Unfortunately, as closely as contributing to relaxation and conviviality, alcohol is in like manner associated with verbal and physical abuse, arrests for in-your-face behavior and violence and admissions to hospitals as a consequence of alcohol cerebrate assaults.These last-place aspects cause recently been raised in sport broadcasting and news nationwide. This initiates problems such(prenominal)(prenominal) as violence, reality urination, or muckle collapsing as a consequence of overweening insobriety. Facility vigilance computer programs have do proper precautions regarding such events. These problems ar non a new phenomena in the ground of sports. In an attempt to contain violence, to a greater extent facilities and leagues have taken motivateion to visit and remove the availability of alcohol at such events.After considerable research, in that location seems to be a repetition of forwardness counselling aspects apply in everyday riotous events, such as the TEAM and FAM organizational programs, particularised pre and post game sustenance, and actions regarding in-game incidents. in that respect are many alcohol forethought strategies that facilities and programs have developed over the bygone two decades. Al nigh every original sport team and facility follows the constant of gravitation design of the non-profit organization called Techniques for Effective alcoholic drink Management.TEAM begin back in the 1980s in reaction to the high make sense of traffic fatalities resulting from heavy drinking a t blank events and to increasing public cognisance of the problem of alcohol- colligate impetuous (Stadium alcoholic drink Management). This program has two major goals regarding alcohol counsel abridge drunk-driving and publicize responsible drinking services and consumption at sporting arenas. There primary(prenominal) focus is on major sporting venues. TEAM as well as branches into another program called Facility alcoholic beverage Management (FAM).FAM further assists to public arenas in developing alcohol caution. Further more, TEAM puts a strong emphasis on their three hundred trainers who in turn train more than 30,000 sport facility employees. Training is a very important component complex in enhancing the awareness of cater. This regards factors that contribute to ill will and strategies to defuse potentially dangerous situations and effectual issues regarding the proper management of venues. Hence, giving the cater an understanding of strategies to manage al cohol intrusion on licensed exposit.Planning is one of the virtually important features of alcohol management deep down a facility. An appropriate location of an event should always be selected with easy access code to transport to and from the venue. Many sport facilities have re uncompromisingions or bans on alcohol brought into the venue, as well as restrictions on the pillow slip of containers brought into the venue. Alcohol is a great stock of revenue for sport leagues and arenas. Facility organizers may also be unwilling to plant up alcohol-free events because it is such a main attraction during game-play.More than 60% of maestro sporting event revenues come from alcohol purchases (Class Video). another(prenominal) important grammatical case of alcohol management planning is making authorized to endure information forwards and during the event. This should include risks, regulations, requirements and controls. several(prenominal)times the lack of information abo ut strict alcohol polices can result in fans arriving un rigd, either not bringing plentiful money to purchase alcohol within the venue or spending it before en seek.There has been precaution involving the amount of alcohol served at sporting and large public events. causticity of alcohol problems can be related to length of a game, whether or not it is a playoff game or even if the game is an exciting one or not (Class Discussion). Facility managers and supply moldiness take into consideration those key features of a game in order to prepare for alcohol related incidents. Facilities set certified times for serving alcohol, including set head before the end of the event, where alcohol is no longer served..There have been proper readyings for set the sale of alcohol on premises within the grounds, particularly the times at which alcohol could be served. This allows for sobering up of patrons and reduced likelihood of drunk driving and other issues. This can be in between an shape, or at halftime. For example, most baseball games stop serving alcohol at the end of the 7th inning in order to maintain the crowd. Having a limited amount of alcohol served to all(prenominal) fan is another way a facility can avoid issues. conceding stands should solo be serving 1 drink per customer.Most sporting facilities have kept this under control but lag members working the beverage stands have allow this slide and provided more than 1 drink per customer. Server staff selection and procreation is very important, although evidence shows that enforcement needs to be this in order to ensure its effectiveness. trade protection staff and police officers have been a vital part of alcohol facility management over the past decade. During preparation for games and large sporting events, hostage takes heartbeats to properly secure a facility for think alcohol related use.Many facilities have apply a range of strategies to reduce risks such as segregation of opposing fans or higher levels of policing. If there were safety concerns, security is granted trust to search public vehicles and individuals trying to enter an event with alcoholic beverages. It is important for the police force to try and maintain a crowd during the tailgating dowery of an event. This is where the sot excessive drinking takes place. An example of a facility security measure involves video surveillance at the Milwaukee Brewers stadium.In the obligate Drinking Games, it states that most parks straightway include video surveillance equipment that can home in on specific seat locations, but beer hawkers, concessions-stand workers and ushers equipped only with their own eyes are also relied upon to recognize the tell-tale signs of intoxication, or in some cases the mere probability of intoxication. The security staff and police presence should be distinct and have a clear spatial relation of the area around them. Also, they should have the authority to ban or remove fa ns for public displays of drunken behavior.Facility managers take into consideration the impressiveness of harm reduction. Some arenas have been backcloth up dry areas or family areas to reduce risk and nuisance, especially for families and young people. Also, alcohol served in a tempered water ice or plastic and foam cups facilitate reduce the likelihood of containers being used as weapons, and to prevent accidental or deliberate injury to staff and fans on the licensed premises. In Europe, they have sobering-up areas which act as a very priceless strategy (Study Abroad experience 2011).There was nominal effectiveness but it may alter management of those who are overly intoxicated. motion management should be something planned before, during and later a sport game. After games, there are security checkpoints where drivers are examine for intoxication or any alcoholic beverages in their possession. This is where many people are arrested for DUIs and drunkenly misconduct. When looking at the alcohol management regarding Madison second power Garden, there seem to be procedures and provisions similar to the ones listen previously in this research paper.At most of the events at MSG, alcoholic beverages are available for purchase. They train their staff within the terms of the TEAM organization. Alcohol sales are limited to up to two alcoholic beverages per customer per transaction and must provide an ID with purchase. MSG makes sure that clients do not bring in alcoholic beverages from outside vendors, and cannot leave with beverages purchased inside the arena. The last part of their alcohol management statement deals with management reserving the right to turn down the sale of alcohol to any guest (MSG. com).While there have been significant sport broadcasting about alcohol related harm at various professional and collegiate sporting events, there is pocketable direct evidence to guide tint practice of such events. Nevertheless, there are a range of strategies that can be generalized from the mainstream research on reduction alcohol related incidents and strategies that have unpretentious biases. This relationship is a complex one, it arises from our interactions among various factors relating to the American culture, our drinking venues and the individual.